The challenge of glass containers
December 21st 2017
The last workshop for 2017 was held on December 21st at
ABK Hall, Chennai. Eight members were
present and Chitra Rajan, who attended the workshop in Delhi by Sensei Yoko Hosono on curriculum updation, shared with us her experiences of Sensei's demo and narratives. She commented how Sensei Hosono noted that simplicity is the key, and one should
consider the three lines as representing the materials, the artist and the
viewer.
Thank you Chitra for the crisp and lively presentation.
Sensei Ambika took over the second half of the workshop to present a slide show and demonstrate on the day's theme. A visit to Seattle, USA, is incomplete without a day at the
Chihuly Garden and Glass museum. She had the opportunity to be there and gave the group a virtual tour through the fascinating
world of glass in hundreds of colours and designs. As students and teachers of Ikebana, the series Cylinders and Baskets was of special interest to observe the
colours, shapes and how we could relate to them through Ikebana. Her experiences can be found here.
To know more about Dale
Chihuly and his works click here.
Ambika then gave a demo on the workshop theme, “The
Challenge of Glass Containers” to showcase the beauty of this fragile but truly versatile
material.
Her first arrangement was with a beautiful yellow-orange
glass vase with interesting detail. This was her reaction to the Chihuly experience
The vase as the inspiration |
The glass Iwata vase belongs to her mother, and reminded Ambika of the Chihuly glass creations. she contrasted this with the tangled roots of lady's finger plants and complemented the warm colour with orange heliconia and brown shades of
dried hydrangea. It was a well balanced
arrangement adding height and space.
Twists and turns make an eye catching statement |
An elegant transparent glass nageire vase was the focus of
the second piece. Ambika stressed that the ikebanist has to ensure
the materials are arranged aesthetically, since whatever is placed in
this container will show through the water and glass. Both have to be
spotlessly clean and stems inside the vase should also form part of the composition. She achieved this effortlessly, creating a striking piece with hosta leaves
artistically arranged and purple and white flowers to provide balance
Ambika’s final piece was a table arrangement wit a Christmas theme in a glass fruit bowl, with red
anthuriums, gypsophilia and boxwood leaves to create a simple yet striking
piece that looked equally beautiful from all angles. The three pictures give a
fair idea of this.
The group then moved on to their arrangements.
Sensei Mrs. Malathi Pandurang used a transparent glass vase
for heliconia and dracaena creating dramatic lines. Bundled up dracaena leaves
and a hint of gypsophilia provided
artistic tension to the arrangement.
Simple elegance of white and green in a transparent glass |
Chitra Rajan chose a transparent glass for her
single white zerbera
that stood out against the hosta leaf and delicate frond
of fern.
Pushkala used a
tall nageire glass vase with rolled leaves to create interesting lines
reflected in the green lines of eunonymous, green chrysanthemums and a bunch of
ixora
for the colour highlight.
Divya Selvam’s
artistic weaving of colourful dressing leaves with a hint of white
from the temple tree
flower was deceptively simple and could sit proudly
on any drawing room table. It looks beautiful viewed from any angle.
Pretty maids all in a row |
Tall mineral
water bottles in transparent glass was Prerana Mehta’s choice and three of them in a
row with dried branches for lines, gypsophilia a single orchid for colour was
truly a work of art.
.
Janaki Rao made two arrangements—one using a deep red tea light holder
and offset it with gypsophilia and a few blooms of temple flower and leaves.
The use of Christmas colours was apt for the season.
Welcoming the festive season with Christmas colours |
Look at me...I can fly! |
She used a transparent pickle jar with a single stem of heliconia
and dracaena leaves with an interesting twist.
Pushkala's Second piece |
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