November 17th 2016
Sensei Janaki reports:
The November 2016 demo and workshop in the
ABK premises was well attended, with 12 members present. The theme of the day
was miniature arrangements.
Sensei Malathi mentioned that
miniature style was a favourite of Kasumi Teshigahara. It is a very personal
style, from the heart and ideal for personal spaces like dressing tables, desks
and so on.
Sensei Prerana gave a demo on
Miniatures and shared her experience of attending a class with Mr. Christopher
Lim in Singapore earlier this year. She said that was her first exposure to
miniatures, and enabled her to gain a proper understanding of this.
The key
points are that the container should be small enough to fit into one’s palm,
and the materials used should not be overpowering. It should be possible to
make the same arrangement on a larger scale.
Sensei Prerana did ten arrangements with a variety
of vases and flowers, each one a beauty to behold and conveying her energy and
creativity. Her vibrant narrative and efficient work kept us engrossed, like a
drama unfolding on stage.
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A brass cup with coloured stones serve as a base for this piece |
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Prerana used the materials to maximum effect and created a spectrum of styles from shy, delicate to bold and energetic. |
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A dash of pink and green shows the hope of spring |
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Sensei Prerana created a breezy, outdoor effect with the yellow ceramic dish, fresh greens and gypsophilia |
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Sensei Prerana used a single red anthurium to add colour to the aesthetic vase and base that were beautiful on thier own. |
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Another striking piece by Prerana sensei |
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The bright yellow chrysanthemum with curled palm leaf and gypsophilia was her choice for this timeless ceramic vase |
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The perfect miniature, using a diya and a single flower with a tiny wooden base. |
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Trimmed draceana leaves echo the light violet chrysanthemums in a black ceramic vase |
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Wooden chopsticks glued together formed a delicate lattice for this piece with just a single chrysanthemum for colour |
The workshop on the same theme was equally
engaging and everyone presented unique and appealing pieces. The air of
seriousness was akin to an exam and at the end, a joy to see the completed
miniatures. The variety of vases and other objects deftly used as containers was
an eye opener.
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A dainty glass vase with pretty pink antigonon heightened the effect of this piece by Chelvi |
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Bhuvana used a palm to symbolise a peacock, and her second piece was in a small urali |
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Chelvi used a brass shell to advantage with just a couple of blue daisies |
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Chitra Thiagarajan used pieces from a tea set that were ideal for the workshop theme |
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Dessert cups with artistically curled leaves and yellow roses that perked up the composition by Divya |
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Divya chose a tiny pomogranate from her garden for this composition in a blue-green ceramic vase. |
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Malathi sensei used twin ceramic vases that stood out with ixora leaves, berries and a hint of lavender. |
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Sensei Molly used a white soup bowl with dianthus, tulasi leaves and Chinese bamboo for refreshing look |
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Pink zerbera was a perfect choice for Roopa, to go with this black vase, with a single green leaf and gypsophilia. |
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Shylaja offset the deep blue vases with yellow chrysanthemums and blue daisies, with touches of green |
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Sensei Trishala created a fairytale effect with pretty colours and a unique woven coffee pot that reminds her of relaxed mornings with hot coffee. Minimal use of materials highlight the vases. |
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Sensei Trishala |
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The small kettle - sensei Trishala |
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Another one by Chelvi |
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Another one by Roopa |
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Bhuvana's minature, up close |
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sensei Janaki's trio of miniatures |
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Another one by Divya |
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Chelvi experimented with a candlestick holder and cassia flowers..... |
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..... and a small fruit bowl, |
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...as well as these coffee cups with complementary colours. |
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