Padma sensei explains the principles of Abstract Art in relation to Ikebana
16th March 2016
Our sensei Mrs Padma Swaminathan conducted the March workshop, where she opened our minds to abstract creations. It was an interesting departure for us all, so used to naturalistic interpretations.
Padma sensei recalled her Japanese teacher's remarks as to how to remove the naturalness from the material and look at it with "fresh" eyes. That is the secret of good abstract compositions, and they become art, rather than a craft or skill.
Our sensei Mrs Padma Swaminathan conducted the March workshop, where she opened our minds to abstract creations. It was an interesting departure for us all, so used to naturalistic interpretations.
Padma sensei recalled her Japanese teacher's remarks as to how to remove the naturalness from the material and look at it with "fresh" eyes. That is the secret of good abstract compositions, and they become art, rather than a craft or skill.
Her first composition: "Fishing i the waters" - Driftwood in a wrought iron stand, with hanging glass marbles |
Padma sense's Second composition: Spring - Jerbera on paper and cardboard |
Malathi sensei - umbrella plant and amarylis lily |
"Spaceship to Mars" - Prerana sensei |
"Birthday" - by Prerana sensei |
Bhuvana - the pink bricks and the green reminiscent of a park bench? |
Chitra's creation with a dumbbell! |
Ambika Sensei - Amarylis, croton and dressina - The dancer |
Chelvi - driftwood with Peacock flower |
Artist unknown |
Divya Varma echoed the colour and lines of the vase in the material below. |
Chitra Rajan worked with Bauhinia in a cardboard container |
Sensei Meenu - a black container was converted into a base to give solidity to a bag as container. Bold red lines on the bag was moved in to the design |
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